Symphony No.40, sometimes referred to as the ‘Great G minor Symphony’, opens with one of Mozart’s best-loved and catchy melodies, which had ‘several audience members singing along for the first few bars’ (ClassikON). The tempestuous Symphony unfolds with drama, passion, and intrigue. Of Jaime Martin’s conducting, ‘it was evident the audience enjoys watching him … he used both hands to grapple with the music midair, directing the instrumental traffic, anticipating, encouraging and cajoling the parts …’ (ClassikON)